<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"><channel><title>The Last DVD</title><description>The Last DVD is an independent magazine on cinema and adjacent arts — music, dance, theatre, culture — based in India, publishing internationally.</description><link>https://thelastdvd.com/</link><item><title>S Janaki Amma: The People’s Singer</title><link>https://thelastdvd.com/s-janaki-amma-a-singer-for-generations/</link><guid isPermaLink="true">https://thelastdvd.com/s-janaki-amma-a-singer-for-generations/</guid><description>To me, Janaki Amma was the voice that carried me through exams, bus rides, heartbreaks, and joy</description><pubDate>Sun, 16 Aug 2026 11:00:00 GMT</pubDate><author>Subhashini Ramachandran</author></item><item><title>A Pakistani Afterlife for Les Misérables</title><link>https://thelastdvd.com/a-pakistani-afterlife-for-les-miserables/</link><guid isPermaLink="true">https://thelastdvd.com/a-pakistani-afterlife-for-les-miserables/</guid><description>What arrives in Salakhain is therefore not quite the novel but its afterlife: a familiar arrangement of misfortune and moral arithmetic portable enough to cross languages, industries, and continents.</description><pubDate>Thu, 06 Aug 2026 11:00:00 GMT</pubDate><author>Manahil Tahira</author></item><item><title>Blueness on the Waiting-Shore: Sirai and the Carceral Sangam</title><link>https://thelastdvd.com/blueness-on-the-waiting-shore-sirai-and-the-carceral-sangam/</link><guid isPermaLink="true">https://thelastdvd.com/blueness-on-the-waiting-shore-sirai-and-the-carceral-sangam/</guid><description>In Sirai, the Tamil song becomes the precise space where the nation’s carceral suspicion is answered — not with polemic argument, but with radical intimacy</description><pubDate>Wed, 29 Jul 2026 11:00:00 GMT</pubDate><author>Swarnavel Eswaran</author></item><item><title>Inside IFAI, the Collective Taking on India’s Distribution Crisis</title><link>https://thelastdvd.com/inside-ifai-the-collective-taking-on-indias-distribution-crisis/</link><guid isPermaLink="true">https://thelastdvd.com/inside-ifai-the-collective-taking-on-indias-distribution-crisis/</guid><description>When we sat down with Kanu Behl on the day Agra opened in Indian theatres, it felt like one of those moments that might precipitate something bigger. Fortunately for Indian independent cinema, something bigger has precipitated.</description><pubDate>Tue, 30 Jun 2026 12:00:00 GMT</pubDate><author>Abhinav Jain</author></item><item><title>Frankenstein’s Film Star?</title><link>https://thelastdvd.com/frankenstein-film-star-vijay/</link><guid isPermaLink="true">https://thelastdvd.com/frankenstein-film-star-vijay/</guid><description>When a film star becomes too powerful to be vulnerable, does cinema itself suffer? A critical look at Vijay and the star system.</description><pubDate>Sat, 27 Jun 2026 10:50:00 GMT</pubDate><author>Niveditha K Prasad</author></item><item><title>On my Grief of Failing to Be – A Cars (2006) Retrospective</title><link>https://thelastdvd.com/on-my-grief-of-failing-to-be-a-cars-2006-retrospective/</link><guid isPermaLink="true">https://thelastdvd.com/on-my-grief-of-failing-to-be-a-cars-2006-retrospective/</guid><description>On Growing Up with Lightning McQueen</description><pubDate>Wed, 24 Jun 2026 13:45:27 GMT</pubDate><author>Krishna Natesan</author></item><item><title>SR Praveen has Seen the Reels Turn: A Conversation on Malayalam Cinema</title><link>https://thelastdvd.com/sr-praveen-has-seen-the-reels-turn-a-conversation-on-malayalam-cinema/</link><guid isPermaLink="true">https://thelastdvd.com/sr-praveen-has-seen-the-reels-turn-a-conversation-on-malayalam-cinema/</guid><description>SR Praveen about his book, Ticket to Kerala, film reviewing, and more.</description><pubDate>Wed, 17 Jun 2026 10:50:00 GMT</pubDate><author>Niveditha K Prasad</author></item><item><title>From Ragamala paintings to Hindi film songs: Spring as a Time for Love</title><link>https://thelastdvd.com/from-ragamala-paintings-to-hindi-film-songs-spring-as-a-time-for-love/</link><guid isPermaLink="true">https://thelastdvd.com/from-ragamala-paintings-to-hindi-film-songs-spring-as-a-time-for-love/</guid><description>The piece show how spring has been visualised as a narrative tool to show different stages of love–from yearning to the culmination of love</description><pubDate>Mon, 04 May 2026 15:48:23 GMT</pubDate><author>Eshna Benegal</author></item><item><title>Getting lost in the city</title><link>https://thelastdvd.com/getting-lost-in-the-city/</link><guid isPermaLink="true">https://thelastdvd.com/getting-lost-in-the-city/</guid><description>Running away from home and homecoming in Ritwik Ghatak’s Bari Theke Paliye (1959) are metaphors for the cataclysm of Partition</description><pubDate>Fri, 17 Apr 2026 11:00:00 GMT</pubDate><author>Uttaran Das Gupta</author></item><item><title>The Impossibility of Middle-brow Hip-Hop</title><link>https://thelastdvd.com/the-impossibility-of-middle-brow-hip-hop/</link><guid isPermaLink="true">https://thelastdvd.com/the-impossibility-of-middle-brow-hip-hop/</guid><description>There is no real debate on hip-hop’s place within the general culture. Most think of hip-hop as being a low-brow art form and even many hip-hop fans do not attempt to defend hip-hop’s cultural status. Yet, all these analyses…</description><pubDate>Sun, 12 Apr 2026 09:00:00 GMT</pubDate><author>Anthony David Vernon</author></item><item><title>Three Films: A note on Motion and Stillness</title><link>https://thelastdvd.com/three-films-a-note-on-motion-and-stillness/</link><guid isPermaLink="true">https://thelastdvd.com/three-films-a-note-on-motion-and-stillness/</guid><description>How do you see the world if you don’t move through it? Perhaps, you see it as it moves while you remain still.</description><pubDate>Tue, 07 Apr 2026 10:55:30 GMT</pubDate><author>Atreyee Majumder</author></item><item><title>The Transcendental Cinema of Arby Ovanessian</title><link>https://thelastdvd.com/the-transcendental-cinema-of-arby-ovanessian/</link><guid isPermaLink="true">https://thelastdvd.com/the-transcendental-cinema-of-arby-ovanessian/</guid><description>If the spectator of Chechmeh could live the transcendental content of the film, the film itself could give the spectator the poetic depth that he/she wishes to see.</description><pubDate>Fri, 03 Apr 2026 11:32:03 GMT</pubDate><author>Ramin Jahanbegloo</author></item><item><title>Kids on Bikes: A Stranger Things Retrospective (Part II)</title><link>https://thelastdvd.com/kids-on-bikes-a-stranger-things-retrospective-part-ii/</link><guid isPermaLink="true">https://thelastdvd.com/kids-on-bikes-a-stranger-things-retrospective-part-ii/</guid><description>By taking the humanity out of the monsters and backdrops of the TV shows and presenting audiences with increasingly computer generated landscapes and monsters, viewers become distracted by spectacle and are less able to relate their…</description><pubDate>Tue, 24 Feb 2026 15:58:28 GMT</pubDate><author>Esmé Warmuth-Poppiti</author></item><item><title>Kids on Bikes: A Stranger Things Retrospective (Part I)</title><link>https://thelastdvd.com/kids-on-bikes-a-stranger-things-retrospective-part-i/</link><guid isPermaLink="true">https://thelastdvd.com/kids-on-bikes-a-stranger-things-retrospective-part-i/</guid><description>The subgenre levels with young viewers and allows them to admit, even if subconsciously, that being bullied or saying goodbye to childhood does feel horrific on the same level as having your life threatened, and it effectively allows these…</description><pubDate>Sat, 21 Feb 2026 14:35:59 GMT</pubDate><author>Esmé Warmuth-Poppiti</author></item><item><title>Hungry for Meaning: The Visual Power of Food in Tarantino’s Universe</title><link>https://thelastdvd.com/hungry-for-meaning-the-visual-power-of-food-in-tarantinos-universe/</link><guid isPermaLink="true">https://thelastdvd.com/hungry-for-meaning-the-visual-power-of-food-in-tarantinos-universe/</guid><description>Tarantino’s movies are not typical ‘food films’. One cannot say food forms an essential part of the plot in his movies. Nevertheless, food forms an integral part of his storytelling, be it the setting, the foreshadowing it creates, or the…</description><pubDate>Tue, 17 Feb 2026 10:13:07 GMT</pubDate><author>Navaneeth M S</author></item><item><title>Listening for Politics in Tamil Rap</title><link>https://thelastdvd.com/listening-for-politics-in-tamil-rap/</link><guid isPermaLink="true">https://thelastdvd.com/listening-for-politics-in-tamil-rap/</guid><description>Artists like Arivu do not distance themselves from popular rhythm in order to signal seriousness; they lean into it.</description><pubDate>Sun, 08 Feb 2026 12:17:12 GMT</pubDate><author>Rohith Jyothish</author></item><item><title>The End of Hollywood Unipolarity?</title><link>https://thelastdvd.com/the-end-of-hollywood-unipolarity/</link><guid isPermaLink="true">https://thelastdvd.com/the-end-of-hollywood-unipolarity/</guid><description>Multipolarity is a word that has escaped lot of lips for a few years. Claims are abound that the world order based on American unipolarity in the age of neoliberalism is no more.</description><pubDate>Mon, 29 Dec 2025 14:30:00 GMT</pubDate><author>Ralph Leonard</author></item><item><title>The Movies, The Internet and Insincere Consumption</title><link>https://thelastdvd.com/the-movies-the-internet-and-insincere-consumption/</link><guid isPermaLink="true">https://thelastdvd.com/the-movies-the-internet-and-insincere-consumption/</guid><description>On the Internet everything I experience, I do it alone. ‘The movies’ for me are as private as it gets. I close my curtains because I do not want to be seen when I am sitting crawled up with my laptop stuck somewhere between my thighs.</description><pubDate>Wed, 24 Dec 2025 14:00:00 GMT</pubDate><author>Sarthak Virdi</author></item><item><title>The Cinemas of India – Memory and Loss</title><link>https://thelastdvd.com/the-cinemas-of-india-memory-and-loss/</link><guid isPermaLink="true">https://thelastdvd.com/the-cinemas-of-india-memory-and-loss/</guid><description>In almost 7 years, I have driven in excess of 60,000km through 21 states of India and photographed over 1250 Single Screen Cinemas in more than 1000 towns and cities. Of these, at least 750 have been erased permanently.</description><pubDate>Tue, 23 Dec 2025 11:00:00 GMT</pubDate><author>Hemant Chaturvedi</author></item><item><title>Between Two Screens: Golcha, Delite, and the Vanishing Public Life of Delhi</title><link>https://thelastdvd.com/between-two-screens-golcha-delite-and-the-vanishing-public-life-of-delhi/</link><guid isPermaLink="true">https://thelastdvd.com/between-two-screens-golcha-delite-and-the-vanishing-public-life-of-delhi/</guid><description>The city knows how to protect Mughal and colonial structures; it can speak the language of monuments and empire. But it struggles to comprehend mid-century public architecture, and the cultural worlds they housed</description><pubDate>Sun, 21 Dec 2025 11:44:30 GMT</pubDate><author>Dr. Kanupriya Dhingra</author></item><item><title>A House With No Windows: Indian Cinema’s Claustrophobic Reality</title><link>https://thelastdvd.com/kanu-behl-wages-a-war/</link><guid isPermaLink="true">https://thelastdvd.com/kanu-behl-wages-a-war/</guid><description>“For nine years, nine long years, at every step, literally at every step, I had to fight to get this film (Agra) made. I wouldn’t be lying if I say that I had even thought of quitting filmmaking.”</description><pubDate>Wed, 19 Nov 2025 14:13:11 GMT</pubDate><author>tldradmin</author></item><item><title>Inside Rituparno’s Camera</title><link>https://thelastdvd.com/inside-rituparnos-camera/</link><guid isPermaLink="true">https://thelastdvd.com/inside-rituparnos-camera/</guid><description>I was yearning for some sort of home, literal or metaphorical, that I found in these films. Rituparno slowly came to be “home”.</description><pubDate>Fri, 17 Oct 2025 12:39:19 GMT</pubDate><author>Atreyee Majumder</author></item><item><title>Land of Wolves</title><link>https://thelastdvd.com/land-of-wolves/</link><guid isPermaLink="true">https://thelastdvd.com/land-of-wolves/</guid><description>Sicario is about the dehumanisation of war and the inevitable degradation of morality and the rule of law in war.</description><pubDate>Fri, 17 Oct 2025 12:28:09 GMT</pubDate><author>Ralph Leonard</author></item><item><title>Gods on Film</title><link>https://thelastdvd.com/gods-on-film/</link><guid isPermaLink="true">https://thelastdvd.com/gods-on-film/</guid><description>What happens when the possession is replicated over thousands of screens everyday for weeks?</description><pubDate>Fri, 17 Oct 2025 12:18:36 GMT</pubDate><author>Niveditha K Prasad</author></item><item><title>Found in Translation: Why “Homebound” Needs a Subtitle</title><link>https://thelastdvd.com/found-in-translation-why-homebound-needs-a-subtitle/</link><guid isPermaLink="true">https://thelastdvd.com/found-in-translation-why-homebound-needs-a-subtitle/</guid><description>Homebound is a good film that could have been great.</description><pubDate>Fri, 17 Oct 2025 02:08:26 GMT</pubDate><author>Abhinav Jain</author></item><item><title>On the Cold Open</title><link>https://thelastdvd.com/on-the-cold-open/</link><guid isPermaLink="true">https://thelastdvd.com/on-the-cold-open/</guid><description>The classic Cold Open is perhaps building a bridge for people to continue engaging with long-form content</description><pubDate>Wed, 15 Oct 2025 14:13:05 GMT</pubDate><author>Dyuvan D Machaaranda</author></item></channel></rss>